Iconic dishes – the Wiener schnitzel

The Wiener schnitzel, this incredibly simple yet delicious dish, features on the menu of almost every restaurant. It’s easy to make at home too, although if you want to enjoy a genuine Wiener schnitzel, it’s worth sticking to the original recipe – because it can only be made from veal; if made from any other type of meat, it’s no longer a Wiener schnitzel, but simply breaded meat. The Viennese cut – a truly international mix According to legend, in 1857 Field Marshal Joseph Wenzel Radetzky told the Emperor about a delicacy he had eaten in Milan. The Emperor fancied the dish and ordered the head chef to prepare it for him. This led to the creation, in the Austrian capital, of the world-famous Viennese schnitzel – known in Hungary simply as „vínersnicli”. However, breaded fried meat is not an Italian invention. The recipe already appeared in medieval Spanish cookbooks under the name chuleta andaluza. After the expulsion of the Moors in 1491, when Andalusia came under Christian rule, the local cuisine retained the traditional Arab method of preparing lamb, namely frying the meat until golden brown after coating it in flour, beaten eggs and breadcrumbs. ‘Gilding’ the meat was in vogue for a long time at the Byzantine court, where slices of meat were coated in real gold dust. The Moors spread the custom throughout Andalusia, from where it was adopted by the lavish courts of Italy. However! Breaded meat is neither an Italian, nor a Spanish, nor even an Arab dish.   Ancient evidence of breaded meat Art and the café today The authentic „Viennese schnitzel” A breaded meat dish made from veal (veal loin, frikandelle, shoulder or thoroughly trimmed shoulder blade) that has been tenderised to a thickness of 3–4 millimetres. It is best served with a squeeze of lemon.

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The success of the New York Művész Páholy lies, on the one hand, in the fact that the organisers put their heart and soul into organising their events every month, driven by a commitment to culture. The audience is always presented with a topical message, ensuring that each evening has a clear character and atmosphere, conveying the diversity and values of knowledge, culture and the arts to the audience in a down-to-earth and direct manner. This directness is one of the defining features of the programmes. An event of this scale could not take place if the management of the Café, or its managing director, Csaba Szabó, did not take the event to heart. However, the enthusiasm remains undiminished. Just like that of the hostess, Anna Juhász, who presents the programmes with authenticity, not only through her knowledge and preparation, but because literature runs through her veins: she herself is the daughter of a contemporary poetic giant. Nor can we overlook the now entirely unusual approach to guest communication. One of the driving forces behind the event, Diana Józsa, the marketing manager, personally coordinates and responds to participants’ registrations and enquiries. This form of communication plays a major role in fostering a friendly, direct rapport, and this is clearly reflected in the guests’ reactions. The enthusiastic team at the New York Művész Páholy, working alongside Anna, is thus able to create a highly guest-centred and successful series of literary events.
Continuing the series we have begun, our aim year on year is for art and our country’s most acclaimed artists to find a home at the Café through these high-quality, enriching evenings, so that there may be a place where like-minded people, committed to art, culture can meet, where, in a „New York-style” atmosphere, culture takes centre stage one evening a month. The New York Művész Páholy evenings have become so popular that places sell out within 1–2 hours of registration opening. This means that sometimes more than 500 guests attend a single evening in the series.

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