New York Művész Páholy – Jenő Kálmán – who never lost his sense of humour

And yet he would have had every reason to. As a prisoner of war, he was held in Siberian camps, but even there he never gave up what mattered most to him: laughter, making people laugh, and the theatre. As a journalist and humourist, he lived in Budapest from 1905; his first job was at the newspaper *Független Magyarság*. He also contributed to the satirical magazine *Fidibusz*, edited by Adolf Ágai (known as Borsszem Jankó) and Jenő Heltai. He was also a contributor, assistant editor and columnist for the newspaper *Színházi Élet*, which was launched in 1911.  He enlisted in the army in 1916 and was a prisoner of war in Nikolsk-Ussurisk until 1920, where he organised a Hungarian cabaret and theatre troupe, with which they performed in various Siberian camps. On his return home, he resumed civilian life at *Színházi Élet*. In 1921–22, he served as secretary to Endre Nagy’s cabaret troupe, whilst also writing short sketches and couplets himself. He also wrote a novel based on his memories as a prisoner of war, and after 1945 his short pieces appeared in *Magyar Nemzet* and *Esti Hírlap*. His best-known work, even amongst children, is The Adventures of Sicc, which was a series of verse tales and illustrated books in verse. The Sicc in Fairyland The film, entitled [title], was released in Hungary in 2002 as a 2D animated fairy tale. Throughout the story, Sicc travels through Fairyland, meets many well-known fairy-tale characters, and although he causes a bit of a ruckus, he always manages to get himself out of trouble. Although the main character in the book is a kitten, Jenő Kálmán had a dog. He took his Puli – which is also mentioned in his other works – everywhere with him, including the New York Café, where he used to have his daily lunch. As he didn’t want to leave his companion hungry, he arranged with the head chef that the dog would also be given lunch, for which he paid a monthly fee. Within a few days, the little dog learnt that whenever his owner sat down, he could head for the kitchen and his tummy would be filled. A few weeks later, Uncle Jenő had a falling-out with one of the waiters, so he switched to a nearby restaurant, where he continued the same routine: he arranged with the chef there too that the dog would get his share. Two months later, however, Jenő Kálmán was stopped in the street by the head chef of the New York, who accosted him, saying he hadn’t paid for the dog’s lunch for two months. Uncle Jenő protested that he hadn’t even been going there for two months. To which the head chef replied: ‘Uncle Jenő may not have been there, but the dog certainly has.’.

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The success of the New York Művész Páholy lies, on the one hand, in the fact that the organisers put their heart and soul into organising their events every month, driven by a commitment to culture. The audience is always presented with a topical message, ensuring that each evening has a clear character and atmosphere, conveying the diversity and values of knowledge, culture and the arts to the audience in a down-to-earth and direct manner. This directness is one of the defining features of the programmes. An event of this scale could not take place if the management of the Café, or its managing director, Csaba Szabó, did not take the event to heart. However, the enthusiasm remains undiminished. Just like that of the hostess, Anna Juhász, who presents the programmes with authenticity, not only through her knowledge and preparation, but because literature runs through her veins: she herself is the daughter of a contemporary poetic giant. Nor can we overlook the now entirely unusual approach to guest communication. One of the driving forces behind the event, Diana Józsa, the marketing manager, personally coordinates and responds to participants’ registrations and enquiries. This form of communication plays a major role in fostering a friendly, direct rapport, and this is clearly reflected in the guests’ reactions. The enthusiastic team at the New York Művész Páholy, working alongside Anna, is thus able to create a highly guest-centred and successful series of literary events.
Continuing the series we have begun, our aim year on year is for art and our country’s most acclaimed artists to find a home at the Café through these high-quality, enriching evenings, so that there may be a place where like-minded people, committed to art, culture can meet, where, in a „New York-style” atmosphere, culture takes centre stage one evening a month. The New York Művész Páholy evenings have become so popular that places sell out within 1–2 hours of registration opening. This means that sometimes more than 500 guests attend a single evening in the series.

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